[ Flightless Records, 2017 ]
Flying Microtonal Banana is the first installment in the Australian band’s King Gizzard & The Lizard Wizard ambitious plan to release 5 full length albums in 2017. And if they keep it as fresh with the four remaining albums as they do with this one, the year of 2017 might be theirs. Their electrifying mixture of microtonal music, psychedelic rock and krautrock is like a bomb being dropped on the musical year 2017: an energetic take on psychedelic music with an ear for great melody and intriguing compositional ideas, especially the microtones, which provide a great, off-kilter quality to the already trippy rock amassed on the album. Flying Microtonal Banana is one hell of a trans-African trip that’s sure to take you to the Great Beyond and back. Highly recommended!
[ Bedouin Records, 2017 ]
A massive, dark wave rises over the horizon on the debut LP by the Greek composer Constantine Skourlis. Named after the mythological underworld, with track names such as “Cosmos” or “Emptiness”, it wants to describe something epic and beyond our grasp. The first three tracks seem to come straight from the Void: endless reverb and doomy strings emulate a gargantuan cavern create an atmosphere of being lost in the vastness of space, the final track, “Erebus”, appropriates Tim Hecker with noisy, destroyed comptuer textures corroding on top of thickly layered, yet airy pianos. An experiential, cleansing experience. Recommended to listen to with headphones on.
[ Self-released, 2017 ]
I’ve been in luck when it comes to jammy, instrumental Polish bands. After Królestwo and Produkty Rolne comes time for a band named Jocelyn Packard. Little is known about them, apart form the fact they named themselves after an influential Twin Peaks character and they play the kind of neurotic, angry post-rock that was big before it went all GY!BE-like and lost most of its balls. However, this self titled debut album doesn’t give a fuck about being sentimental and goes instead for being angry, alienated, even tortured at times, when taking a sludgy, doomy turn. The slightly lo-fi production only enhances the smoggy mood. Recommended debut!
[ Peace Tunic, 2017 ]
Music for Rural Bedrooms is the debut tape by the very fresh Connecticut based label Peace Tunic. Both the music and the artwork were created by David John DiBella who goes by the truly Fangs&Arrows friendly alias TVLab. The tape has a lovely, lo-fi glaze over its progressive electronic atmosphere and the air or amateurish, unpolished joy of creation. In fact, the somewhat hypnagogic tunes here remind one of the golden era of microscopic tape labels and hazy drone/ambient cassettes coming out by the hundreds of the 2000s/2010s. The psychedelic, lazily tropical atmosphere is strongly reminiscent of classic Brother Raven works, with similarly over-enthusiastic approach to knob fuckery and skeletal structures. Lovely.
[ Orange Milk Records, 2017 ]
More crystalline internet musique concrete from the always boundary-bending label Orange Milk. Fiction is an ADHD infested mirror hall was constructed by the French glitch conoisseur Loto Retina. The album is yet another pristine labirynth of MIDI deconstructions, momentary microgenre outbursts and snippets of wordless vocals mixed with self governing rhythm patterns. With generative titles like “Canal Xylo Sat1” and “Tension Chrono” it reminds one of the cheerful randomness of Autechre, but Fiction is far more abstract than that: it’s more like a music making software using deep learning via neural networks to create electronic music. The effect is eerie, yet aesthetically pleasant. Sounds from the other side. Recommended!
[ Self-released, 2016 ]
Last year’s album by the Polish noise rock unit Artykuły Rolne (which could be translated as “Agricultural Commodities”) is a shackled beast, which is struggling to free itself and sometimes spews scorching fire. The amount of energy and layers contained on this LP could be given to a few albums by a few bands, and the sheer, cosmic lysergic energy is conjured by heavily effect-laden walls of guitar noise and heavy, doomy drumming. When you name one of your tracks “Kosmos”, you gotta go huge. And goddamn, they do. This amount of heady, wide-eyed psychedelia is rarely to be seen. It’s almost like an anomaly. There should be more anomalies like this. Highly fucking recommended.
[ Orange Milk Records, 2017 ]
Hey there! You know what? The second full-length by Nico Callaghan a.k.a. Nico Niquo is out and it’s just as lovely as the debut one, except better. How? Probably because it fuses together the two schools of ambient music: one is the more rigid, sequencer-driven one, relying upon clear time signatures and mathematical precision, the other being ethereal, rhythmless tracks that rely purely upon atmosphere. In a Silent Way sounds like R Plus Seven that got its ADHD medication and manages to become slower and more coherent while retaining the relaxed, calming atmosphere. Recommended!