Foodman – Ez Minzoku

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[ Orange Milk Records, 2016 ]

The new era of hyperactive musique concrete is upon us, with Japan’s Foodman (sounds like a silly superhero’s name, doesn’t it?) using footwork as a blueprint for craaaazy sonic cut-ups that feel like being generated by a mad scientist’s computer which has gone mad itself. On Takahide Higuchi’s newest album the “footwork” aspect appears to be stripped to its raw basics, sometimes even abandoned completely, reduced only to its most skeletal structures and rhythms, mostly becoming a strange maze of warped samples, odd time signatures, spoken word snippets (both sped up and slowed down) and colorful splashes of synth wizardry. Ez Minzoku is utterly weird – like a garden gnome making dance music, as someone on Bandcamp pointed out.

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