[ Bedouin Records, 2017 ]
A massive, dark wave rises over the horizon on the debut LP by the Greek composer Constantine Skourlis. Named after the mythological underworld, with track names such as “Cosmos” or “Emptiness”, it wants to describe something epic and beyond our grasp. The first three tracks seem to come straight from the Void: endless reverb and doomy strings emulate a gargantuan cavern create an atmosphere of being lost in the vastness of space, the final track, “Erebus”, appropriates Tim Hecker with noisy, destroyed comptuer textures corroding on top of thickly layered, yet airy pianos. An experiential, cleansing experience. Recommended to listen to with headphones on.
[ Peace Tunic, 2017 ]
Music for Rural Bedrooms is the debut tape by the very fresh Connecticut based label Peace Tunic. Both the music and the artwork were created by David John DiBella who goes by the truly Fangs&Arrows friendly alias TVLab. The tape has a lovely, lo-fi glaze over its progressive electronic atmosphere and the air or amateurish, unpolished joy of creation. In fact, the somewhat hypnagogic tunes here remind one of the golden era of microscopic tape labels and hazy drone/ambient cassettes coming out by the hundreds of the 2000s/2010s. The psychedelic, lazily tropical atmosphere is strongly reminiscent of classic Brother Raven works, with similarly over-enthusiastic approach to knob fuckery and skeletal structures. Lovely.
[ Orange Milk Records, 2017 ]
More crystalline internet musique concrete from the always boundary-bending label Orange Milk. Fiction is an ADHD infested mirror hall was constructed by the French glitch conoisseur Loto Retina. The album is yet another pristine labirynth of MIDI deconstructions, momentary microgenre outbursts and snippets of wordless vocals mixed with self governing rhythm patterns. With generative titles like “Canal Xylo Sat1” and “Tension Chrono” it reminds one of the cheerful randomness of Autechre, but Fiction is far more abstract than that: it’s more like a music making software using deep learning via neural networks to create electronic music. The effect is eerie, yet aesthetically pleasant. Sounds from the other side. Recommended!
[ Orange Milk Records, 2017 ]
Hey there! You know what? The second full-length by Nico Callaghan a.k.a. Nico Niquo is out and it’s just as lovely as the debut one, except better. How? Probably because it fuses together the two schools of ambient music: one is the more rigid, sequencer-driven one, relying upon clear time signatures and mathematical precision, the other being ethereal, rhythmless tracks that rely purely upon atmosphere. In a Silent Way sounds like R Plus Seven that got its ADHD medication and manages to become slower and more coherent while retaining the relaxed, calming atmosphere. Recommended!
The spring batch of tapes from Crash Symbols comes spearheaded by Brooklyn ambientalist Julia Bloop, who promotes the upcoming cassette Roland Throop with “I Gotta Get Outta This Place”. Bloop creates a dreamlike atmosphere by cleverly juggling relaxed percussive loops, spoken word samples and delicate melodies, resulting in a calm, melodic microcosm that sounds like a clever quote of late 90’s Ninja Tune and their downtempo classics.
Roland Throop is out March 24th via Crash Symbols.
[ Rocket Recordings, 2016 ]
A primordial fog rises above this genre-bending dark masterpiece by the Bristol based duo KURO. With its minimalistic artwork (and name) referring to the masterpieces of Japanese psychedelia and avant-garde, the thickly layered drones bring to mind the music of Tetragrammaton or Yoshi Wada (although not that minimalistic) with an occult twist. Referring to ancient cults and religions, KURO creates a dense, thick atmosphere that sounds like a preparation for a conjuring of a forgotten deity about to emerge from a trans-dimensional portal. This is a work of psychedelic beauty to get lost in. Recommended!