[ Peace Tunic, 2017 ]
Music for Rural Bedrooms is the debut tape by the very fresh Connecticut based label Peace Tunic. Both the music and the artwork were created by David John DiBella who goes by the truly Fangs&Arrows friendly alias TVLab. The tape has a lovely, lo-fi glaze over its progressive electronic atmosphere and the air or amateurish, unpolished joy of creation. In fact, the somewhat hypnagogic tunes here remind one of the golden era of microscopic tape labels and hazy drone/ambient cassettes coming out by the hundreds of the 2000s/2010s. The psychedelic, lazily tropical atmosphere is strongly reminiscent of classic Brother Raven works, with similarly over-enthusiastic approach to knob fuckery and skeletal structures. Lovely.
[ Orange Milk Records, 2017 ]
More crystalline internet musique concrete from the always boundary-bending label Orange Milk. Fiction is an ADHD infested mirror hall was constructed by the French glitch conoisseur Loto Retina. The album is yet another pristine labirynth of MIDI deconstructions, momentary microgenre outbursts and snippets of wordless vocals mixed with self governing rhythm patterns. With generative titles like “Canal Xylo Sat1” and “Tension Chrono” it reminds one of the cheerful randomness of Autechre, but Fiction is far more abstract than that: it’s more like a music making software using deep learning via neural networks to create electronic music. The effect is eerie, yet aesthetically pleasant. Sounds from the other side. Recommended!
[ Orange Milk Records, 2017 ]
Hey there! You know what? The second full-length by Nico Callaghan a.k.a. Nico Niquo is out and it’s just as lovely as the debut one, except better. How? Probably because it fuses together the two schools of ambient music: one is the more rigid, sequencer-driven one, relying upon clear time signatures and mathematical precision, the other being ethereal, rhythmless tracks that rely purely upon atmosphere. In a Silent Way sounds like R Plus Seven that got its ADHD medication and manages to become slower and more coherent while retaining the relaxed, calming atmosphere. Recommended!
The spring batch of tapes from Crash Symbols comes spearheaded by Brooklyn ambientalist Julia Bloop, who promotes the upcoming cassette Roland Throop with “I Gotta Get Outta This Place”. Bloop creates a dreamlike atmosphere by cleverly juggling relaxed percussive loops, spoken word samples and delicate melodies, resulting in a calm, melodic microcosm that sounds like a clever quote of late 90’s Ninja Tune and their downtempo classics.
Roland Throop is out March 24th via Crash Symbols.
[ Hausu Mountain, 2017 ]
Angel Marcloid a.k.a. Fire-Toolz proves to be one the most devoted KAOSS EDGE fans with a totally crazy cybergrunge trip Drip Mental. With a cool death metal logo and even cooler album artwork (Windows XP background! Blue screen of death!! Bong!!!) the debut album by Fire-Toolz is a wonderful clusterfuck of ideas and melodies, easily crossing the lines between easycore techno and e d g y industrial electronics with who appears to be SammyClassicSonicFan on the vocals in some of the tracks. Drip Mental is, well, for the lack of the better word – mental. In a good, whatthefuckamilisteningtoandwhydoiloveit!? sort of way. Recommended, you post-web weirdos!
[ Dunno Recordings, 2016 ]
Looney Tunes in MIDI: There is a somewhat hazy backstory to this album: the label blurb claims is an archival release by the Polish electronic musician Andrzej Nowak who might actually not be Andrzej Nowak at all. The brief description at the label page states that it’s an archival release of short electronic pieces recorded between 1987 and 1994 for a series of cartoons. Apparently, the soundtrack was scrapped because the producer didn’t like it. However, it’s extremely hard to find any information to confirm this and every attempt to Google musician Andrzej Nowak ends up on Andrzej Nowak the rock musician, who was the founder of the Polish heavy metal band TSA. Whether it’s a genuine archival album or a brand new alter ego mindfuck, the MIDI sounds on Cocktail Paint are deliciously wacky and cheap-sounding, which would make a great early 90’s computer game soundtrack. Strange!