[ Self-released, 2017 ]
I’ve been in luck when it comes to jammy, instrumental Polish bands. After Królestwo and Produkty Rolne comes time for a band named Jocelyn Packard. Little is known about them, apart form the fact they named themselves after an influential Twin Peaks character and they play the kind of neurotic, angry post-rock that was big before it went all GY!BE-like and lost most of its balls. However, this self titled debut album doesn’t give a fuck about being sentimental and goes instead for being angry, alienated, even tortured at times, when taking a sludgy, doomy turn. The slightly lo-fi production only enhances the smoggy mood. Recommended debut!
[ Self-released, 2016 ]
Last year’s album by the Polish noise rock unit Artykuły Rolne (which could be translated as “Agricultural Commodities”) is a shackled beast, which is struggling to free itself and sometimes spews scorching fire. The amount of energy and layers contained on this LP could be given to a few albums by a few bands, and the sheer, cosmic lysergic energy is conjured by heavily effect-laden walls of guitar noise and heavy, doomy drumming. When you name one of your tracks “Kosmos”, you gotta go huge. And goddamn, they do. This amount of heady, wide-eyed psychedelia is rarely to be seen. It’s almost like an anomaly. There should be more anomalies like this. Highly fucking recommended.
[ Rocket Recordings, 2017 ]
When it comes to clearly state your views, few (or even no) artists this year might come close to the UK psychonauts Gnod. It looks like the tumultous events of 2016 and early 2017 shook the members to their foundations, causing them to get radical and political. Just Say No is a rebellious album, eschewing their open-form drone-psych improvisations for a more coherent effort, fusing fuzzy noise rock with protest lyrics, which sometimes makes Gnod sound like Skullflower covering XTC (at least when the vocals aren’t extremely distorted). The dirty riffs fly like the riot police bullets while the heavy, pummeling drums set the rhythm for one last death march. Resistance music for the interesting times. Recommended!
[ New Atlantis Records, 2011 ]
The free rock tradition is being kept alive and well with the Washington, DC based duo Matta Gawa consisting of the six string demon Ed Ricart and the drum demon Sam Lohman who manage to create dynamic, explosive composition with the use of just these two instruments. Tambora has a much cleaner production than Ba, which allows the duo to fully show their relentless action when it comes to their free flowing tracks which masterfully shift from the moments of silence to the fully articulated blasts of anger. Imagine psych rock, but much more basic and with less stylistic boundaries and less effects and you get Matta Gawa. Recommended!
[ Northern Spy, 2016 ]
The spirit of no wave is very well alive on this collaborative LP by one of the no wave era’s legendary guitarists Rhys Chatham and one of the most important developments in the NYC experimental rock scene, Oneida. Their collaboration was pretty much bound to go for the weirder, more distorted and atmospheric corners of the rock genre – and boy, it did. Nervous, chopped-up improvisations collide with freewheeling psychedelic jams involving strange tunings and avant-garde compositional techniques, all to create a way of bridging the past and the future. Definitely an album to give you your fix of the forward-thinking guitar weirdness and to make you shut up about trippy guitar work for a while. At least while you’re working this one out. Recommended!